The Author-Editor Relationship: Jane-Austen-style

Originally posted on Reading Between the Lines on October 25, 2010 by Danielle Poiesz.

I came into the office this morning to a find hilarious–and thoughtful–article sent to me from one of my awesome authors. The article, written surprisingly by Jill Lawless of the Associated Press, focuses on how even the most renowned authors need a helping editorial hand to polish a manuscript.

Lawless’s example author-editor pair? Jane Austen and William Gifford.

She’s renowned for her precise, exquisite prose, but new research shows Jane Austen was a poor speller and erratic grammarian who got a big helping hand from her editor.

Oxford University English professor Kathryn Sutherland studied 1,100 handwritten pages of unpublished work from the author of incisive social comedies such asPride and Prejudice. She said Saturday that they contradicted the claim by Austen’s brother Henry that “everything came finished from her pen.”

“In reading the manuscripts, it quickly becomes clear that this delicate precision is missing,” Sutherland said.

She said the papers show “blots, crossings out, messiness,” and a writer who “broke most of the rules for writing good English.”

“In particular, the high degree of polished punctuation and epigrammatic style we see in Emma and Persuasion is simply not there,” Sutherland said.

Sutherland said letters from Austen’s publisher reveal that editor William Gifford was heavily involved in making sense of Austen’s sensibility, honing the style of her late novels Emmaand Persuasion.

Gifford did not edit earlier books such as Sense and Sensibilityand Pride and Prejudice, whose inconsistencies have sometimes been blamed on bad printing.

“In fact, the style in these novels is much closer to Austen’s manuscript hand,” Sutherland said.

Sutherland said the revelations shouldn’t damage the reputation of Austen, who was little known when she died in 1817 at the age of 41 but has since become one of Britain’s most beloved authors.

Sutherland said the documents reveal an experimental writer who was “even better at writing dialogue and conversation than the edited style of her published novels suggest.”

“The manuscript evidence offers a different face for Jane Austen, one smoothed out in the famous printed novels,” she said.

Austen’s handwritten manuscripts will go online Monday at, the result of a three-year project to digitize the author’s unpublished work.

See the article on Yahoo! News HERE

I’ve always believed that editing is a team effort, that author and editor need to work hand-in-hand to bring out the best of a story. One person is emotionally connected to the material and the other is more objective, though enamored with the author’s talents and abilities. That dichotomy is imperative, in my opinion.

Lawless’s article also feeds into my love of manuscripts and the controversial topic of authorial intent. I had no idea that Austen’s unpublished works would be going online (today!), and I’m excited to take a peek.